Abstract:
This paper explores the construction of the Hindu identity even as the Muslims
are represented as the other. Focus of the time period is confined to the 1990s.
The period constitutes a truly ruptural moment in contemporary Indian
history. The paper draws on Anand Patwardhan’s documentary, Abdul
Bismillah’s short story, Shahid Amin’s essay, and Arvind Narrain’s report.
Patwardhan’s documentary “In the Name of God” (“Ram ke Nam”) speaks
volumes of the religious tension unleashed. Abdul Bismillah’s story “Guest is
God” uses sarcasm and irony to depict the prevalent prejudices. Shahid
Amin’s essay contests the contemporary representation of the Muslims; Arvind
Narrain’s report reveals the intentions and the disastrous consequences of the
religious riots. The paper points up the violent ideological character built into
the movement of the Hindu nationalism, and finally makes a case for an
impartial representation of the Muslims in correspondence with reality.
